Each Monday, I share reviews of Westerns I’m studying to prepare for making 12 Westerns in 12 Months during 2020. I am watching these films not from an audience perspective but as a filmmaker, as a student of the genre.
Week Twenty Eight: The Nightingale & Cat Ballou
Though not a typical Western, like Sweet Country (my favorite film last year) The Nightingale is a violent, thematic, and ultimately profound journey into the genre. The Australians are just so good with Westerns, often able to bring to them a depth that our American directors are not. Jennifer Kent, whose first film I did not see, stunned me with this one.
It is not easy to watch and my initial reaction to the extreme events of the first thirty minutes was doubt but then I thought of many of the facts I’m recounting in my own Natchez Trace project and realized that horrible things like this (and worse) are accurate, authentic not only to this setting but to all of human history. The film gains incredible strength when Clare, our female protagonist, meets Billy, a performance that belongs in the list of wonderful acting from Aboriginal actors. Though the cast is strong, it’s Baykali Ganambarr in this role who steals the picture. What he does in the final moments of this picture are so heartbreaking, I start to tear up just thinking about them.
Director Jennifer Kent does a wonderful job with pacing. The film is long but in all the right ways. It doesn’t do what we think it will, especially with in all the opportunities it has to turn into a routine revenge thriller. She handles the material with courage and confidence. I will now go back to her first film but, though it was more of a commercial success, I doubt it is as breathtaking as her second feature. That this film isn’t getting more attention is little surprise to me; it is exactly the kind of challenging work that confounds critics and that audiences have been sadly trained to stay away from.
But I feel this may be the best film I’ve seen in 2019. It’s a hard decision between Kent’s film and Dragged Across Concrete: both brutal, both brilliant.
Seen on Hulu.
Nice reviews. Thank you That you reviewed Cat Ballou is funny. I can remember a point in time when Fonda’s movies like this and Barbarella reached near Wizard of Oz status, only briefly. Sometimes I close my eyes for brutal scenes like ones in Nightingale, and yet I’m drawn to watching these movies. Can it be because Africa makes one comfortable with the knowledge of unknown savagery close by.
Love your games on Cat Ballou. Doing a western like this with the comedy and twists of reality and morals is something we truly need in a modern day successful westerns. In my option you could blend these basic ideas with the twist on the romance in what ever way you might choose. Cat Gallon has always been a favorite movie of that time for me. I cannot wait to see what you will do with this!